Laila Sakini London, UK
Working with piano, voice, guitar, found sound, electronics and silence Laila creates dynamic and textured environments that
provide the listener with space to develop their own meanings and responses.
“It’s like a dream where everything’s bright and gilded and beautiful but you keep remembering something is very, very wrong” - Low Company, 2020
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My heart is beating slower and faster at the same time
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supported by 11 fans who also own “Side B: Hold, Ode from the Inside, Vetro, Explosion, Outside, Exit Tempo”
Escape the world and let the sounds take you into a reverbed happy place with room for your mind to get lost inside.
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supported by 10 fans who also own “Side B: Hold, Ode from the Inside, Vetro, Explosion, Outside, Exit Tempo”
"The paradox of an infinite string of unique moments informing the repetitive nature of being. The Unification of Inner and Outer Life as the last track’s title suggests? That’s probably impossible. But this album might help getting closer to that goal. Music triggering the weight and scale of the human experience." my review on Veil of Sound: https://veilofsound.com/2024/02/26/Kali_Malone-All_Life_long.html
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No-Eyed Deer
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David Helm & Jozef Dumoulin dive into the haunting abyss of improvisational electronics on this harrowing, mysterious record.
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Experimental duo Meatshell explore the possibilities of the human voice, pairing it with wild, corkscrewing horn lines.
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This experimental rock trio from Cornwall bring together cresting waves of dreamy guitar noise with a sense of propulsive motion.
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Everywhere at the end of time
by The Caretaker
supported by 10 fans who also own “Side B: Hold, Ode from the Inside, Vetro, Explosion, Outside, Exit Tempo”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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